本研究的主要貢獻為,引用日本美學「侘寂」,重新應用至「時間形temporal form」上的設計,提出「一期一會、慢思、留白、毀滅、堅持」的五元素,重新設計於純聽覺與視覺的時間表達(expression),讓時間感現身的冥想互動體驗。最後提出時間形的v-t圖(速度-時間),詮釋五種元素如何應用至互動領域的「時間形設計」。 

Expanding on Wabi-Sabi as Material to Design Temporal Form

2017_TaiCHI Conference in Taipei, Taiwan

近年來科技微小化與成本大量下降,引起一陣穿戴式裝置潮流,不管是功能導向或時尚導向為主的穿戴式設計,最終探索如何讓人在心理或物質上得到舒適。同時,設計研究開始以「穿戴式裝置作為探索人與人互動關係之工具」,因此本研究對於「穿戴舒適感」進行一種穿戴式推測設計,製作出一個探索互動關係的道具:「穿戴告別式」,透過研究作設計的方法,實際進行科幻互動以及預期人誌學,在「穿戴者-觀察者-穿戴物」的架構下,邀請大眾與舞台表演者(舞蹈老師與舞台劇導演)進行走街解放行動與訪談,透過三個階段的解放行動,進而與參與者達到對於穿戴未來或是自身的反思,以及延伸出對於穿戴式互動的見解,探索何謂穿戴式的可能性。

Recent years have seen increased attention being given to wearable interaction in literature. Either function- driven or fashion-driven styles were widely discussed in wearable devices design. The aim of these discussions attempts to allow wearers to feel comfortable physically. However, it was not completely explored. Some studies stated wearables as a relationship tool allowing us to better understand the interaction between people. Drawing on the speculative wearable design, we intend to craft the most comfortable wearables both in physic and psychology. By operationalizing design fiction with anticipatory ethnography, we call for the Wearable R.I.P. emancipation to in-stu participants to relax like the dead on the street. Findings of the emancipation showed that participants’ meaning-making and reframing process by expert extended our understanding on wearable interaction. To conclude, this study may be of importance in explaining the meaning making from R.I.P. interaction, as well better understanding wearable interaction through speculative wearable design.

Relax like the dead on the street- Reconstituting speculative wearable design

2016_Master Thesis_NTUST

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